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Articles : December, 2008

Remembering the Hanzi: It’s Here

To all tha haters that sed we wuz whack. That sed “hanzi be rockin’ semantic-phonetic duality, son… ideographic component analysis just won’t work — I played Othello at Cambridge!”; that sed we couldn’t represent no more. Well here’s a big BOOYAKASHA from Timothy “Tha Killa” Richardson and James “Old Kanji Bastard” Heisig, two thugs with PhDs in school but also in life, cousin. That’s right. Thirty years after the first Remembering the Kanji hit the streets of Compton and sparked drive-by arguments ["Oh, Reginaaald...? I disagree!"] from Osaka to Oakland, Remembering the Hanzi is out, just in time for Kwanzaa.

RTHSo for all you Chinese learners out there. Here is the merchandise. This is the detaaaaagent [if you didn't watch Kenyan TV commercials in the early 1990s...I cannot help you with this one]! This is what you need. There are 1500 characters in this first volume, so it’s just something to get you started up. A second volume, with another 1500, is in the works. Should it be delayed, then, rather than wait for it to come out, I would recommend applying the stories/components in the first volume to the characters in Rick Harbaugh’s Chinese Characters: A Geneaology and Dictionary (zhongwen.com), and then move on to sentences. With steady progress, it shouldn’t take very long at all, and you’ll be able to read (comprehend) and write Chinese like a madman, despite not yet knowing how to sound stuff out yet.

Anyway, yeah…FYI, whoomp there it is.

It’s been out for like a month, actually.

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    【台詞コーナー】攻殼機動隊・・・全部だよ/ Exact Japanese Dialog Transcripts for Ghost In the Shell, Son!

    Hey all you boys and girls. Continuing our ongoing series of transcribed Japanese stuff, it happens that just as I was about to start doing it myself, I found that someone had already done it. Done what?

    Transcribed all of 攻殼機動隊/Ghost in the Shell (GITS)! That’s right! All the movies [except Solid State Society] and of course all episodes of Stand Alone Complex. The dialog, baby. All of it. In Japanese! Exactly as spoken on-screen.

    Those who have looked will know that Japanese/East Asian movies and TV shows that have same-language subs at all, let alone subs that exactly match dialog, are a rare and precious thing indeed. Like, I bet you’ll practically watch a mediocre show just because it has subs (depending on the language, I know I would). Some of the reasons for this are pretty decently summed up here.

    GITSGITS notably has no Japanese subs on any of its present DVD releases, despite easily being one of the densest, most literary (is that even the right word?) programs of any kind ever made. Japanese subs for GITS would have been nice. But, whatever, now we have this website — with copy-and-pastable text to boot! W00t.

    So, yeah, enjoy. By the way, I would definitely recommend this kind of thing for sentence-picking. And if any of you are inclined to make sentence packs or SRS files for people, this kind of thing, i.e. Japanese by and for native speakers, would IMHO be the best for, like, the health of the world, and in terms of source material [since, as we all know, material made for learners often tends to be some combination of boring and unrealistic].

    As an aside, let it also be noted that Ghibli’s 物の怪姫/Princess Mononoke also has exact subs on its Japanese DVD release. Just FYI.

    And we’re done! Enjoy!

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    【名台詞コーナー】腕白鴨(ダック)夢冒険 / Duck Tales Theme Song in Japanese

    名台詞コーナーの第2弾だっつってんだろう、ゴラァ!今回は腕白鴨(ダック)夢冒険の主題曲。次回から主題曲を卒業して、名前通り映画の台詞を紹介して見たいかと・・・思います。それでは!腕白鴨(ダック)夢冒険

    気楽に突っ走れ!
    い・つ・で・も

    倒けたら寝転べば
    好い・じゃ・な・い

    躓いた 謎々さ
    鴨冒険物語(ダック=テイリズ)

    楽チン頭で鴨冒険物語(ダック=テイリズ)
    無理しちゃ駄目だよ
    鴨冒険物語(ダック=テイリズ)

    ちょちょちょ一寸!
    ご用心!

    貴方(あんた)誰?
    奸人

    徹夜で夢見て
    鴨冒険物語(ダック=テイリズ)

    腕白 極楽
    鴨冒険物語(ダック=テイリズ)

    知りたい 遣りたい
    鴨冒険物語(ダック=テイリズ)

    止まらない冒険
    鴨冒険物語(ダック=テイリズ)

    俺って凄くない?感謝しろよ(笑)。

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    【台詞コーナー 】「ガミーベアーの冒険」/ They Are, In Fact, The Gummy Bears

    「懐かしいなあ」!と思ったあのアニメ。「ええっ?何て言った?」と思ったあの日本語吹替え版洋画の名台詞。そう悩む貴方を僕が慰めて遣るぅ!今回は「ガミーベアーの冒険」の主題曲だー!御覧あれ!

    遥か遠い不思議な森
    耳を澄ませて御覧!
    勇気と愛と魔法に満ちた
    歌声がほら聞こえる。

    ガミー熊(ベアー)
    僕らの仲間 ガミー熊(ベアー)
    さあ、今日も飛び出そう!
    冒険が待ってる!

    誇り高き熊達の秘密
    それはガミーベリージュース
    大空高く飛んで跳ねて
    正義の為に戦え!

    ガミー熊(ベアー)
    僕らの仲間 ガミー熊(ベアー)
    さあ、今日も飛び出そう!
    冒険が待ってる!

    僕らのガミー熊(ベアー)!

    以上。感謝と賞賛の言葉を待ってるよ。

    待ってるよ・・・

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  • 【名台詞コーナー】腕白鴨(ダック)夢冒険 / Duck Tales Theme Song in Japanese
  • Cantonese Mini-Transcript: Star Wars / Clone Wars / Well Done!
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    What It Takes to Be Great 4: Capablanca

    Again in response to this post, I received the following email from a very handsome reader named santayana.

    working hard in the proper direction as the one and only method to achieve success and to be hailed as a genius? sounds good, after all everyone can do it if they’re really bent to stop being lazy… but sadly, i don’t really think it’s the way things are… just look up the story of capablanca… without basically no experience in the upper echelons of tournament competition, he wiped out the best chess players of the time (all but lasker, the world champion) in san sebastian, 1911, the first important event he took part in… sure, some other top players like botvinnik had probably no real genius and could be cast in the people-who-just-worked-very-hard-and-in-the-proper-direction category… but then you think about capablanca and realize that he developed the same strenght of botvinnik by studying and playing chess one-hundredth of the latter’s time…

    It raised some interesting points, and I wanted to address them here.

    the one and only method to achieve success and to be hailed as a genius

    I don’t know about one and only…there could be any number of exceptions and magic pills, etc. One day we may be able to directly stimulate the brain.

    basically no experience in the upper echelons of tournament competition

    That’s like saying “Khatzumoto’s a genius! He had no experience ever writing a Japanese novel until he wrote one!” Yeah, but by then he had read like 3000 books in Japanese, and had a Japanese blog. Capa had experience in chess…that seems like more than enough.

    1911, the first important event he took part in…

    According to the Pedia, Capablanca was born in 1888 and started demonstrating chess knowledge at the age of four, meaning that he probably had been observing (his father playing) chess for about 6-12 months before that. So his chess career can be said to have started in 1891. By 1911, this kid has already been playing twenty years of chess. Even his big wins as a teenager all come after 10 odd years of experience. He easily had 10,000+ hours under his belt. It doesn’t seem that magical to me at all.

    Also, four year-olds and newbies of all ages tend to say some really amazing-seeming, supposedly prodigy-like things [like pointing out violations of chess rules, as Capa did] for at least four reasons that come to mind:

    (1) They don’t yet have full social training in shutting up and sitting down — self-editing/self-inhibition.

    (2) They tend to have a healthy, natural, carefree confidence in themselves and their own opinions — a lot of adults with the same brief chess experience might observe the violation but assume they were wrong because adults have learned to give precedence to authority over logic. Do you have the guts to stand up and tell Stephen Hawking that the numerator and denominator on his little equation are switched around? At your next Pentagon briefing, is your colonel self going to tell the four-star general that his satellite photos are upside down and of the wrong province? More likely than not, you’ll shut up and/or give him the benefit of the doubt.

    (3) They (small children and newbies) tend to apply rules with a logic and uniformity that is untempered by exceptions and the aforementioned social conformity.

    (4) Small children especially get treated better emotionally. Their egos are protected as a matter of social custom. In general, a small child learning an “advanced” or “complex” skill is highly likely to receive rapt attention and ecstatic praise, even for only partially correct execution. Furthermore, unless life and limb are at risk, she is unlikely to be scolded for a blatant error, because, after all, “he’s just a kid”. At the other extreme, adults and older children face mockery and derision for even the slightest error; when they do execute correctly, praise is neither readily forthcoming, nor particularly effusive. The difference in resulting confidence is like night and day; it’s the difference between becoming a pro chess player and…not becoming a pro chess player.

    Speaking of untempered logic, at many points throughout my life, I have personally had the experience of pointing out blindingly simple, obvious things to experts who should (and generally do) know better. I once had an antiques expert explain to me the history of an old plate and how this very plate had been made in the 1700s and used by Napoleon’s uncle’s baby momma’s cousin or something, and then I looked at the underside of the plate and asked her “how come it says ’1922′ on the bottom?” Does it make me an antiques genius? Am I the next karate kid of French crockery? I think it’s just common sense at work.

    It sounds to me like Capablanca was just another example of a guy who just had lots of fun and thereby put in lots of time…double-digit years of time. I love his relaxed attitude to the whole thng: “[chess is] not a difficult game to learn and it is an enjoyable game to play.” No doubt there are exceptions to everything, but he doesn’t seem to be one. Nor is Mozart (to whom Capa apparently gets compared a lot), according to Gladwell:

    Mozart, for example, famously started writing music at six. But, the psychologist Michael Howe writes in his book Genius Explained, by the standards of mature composers Mozart’s early works are not outstanding. The earliest pieces were all probably written down by his father, and perhaps improved in the process. Many of Wolfgang’s childhood compositions, such as the first seven of his concertos for piano and orchestra, are largely arrangements of works by other composers. Of those concertos that contain only music original to Mozart, the earliest that is now regarded as a masterwork (No9 K271) was not composed until he was 21: by that time Mozart had already been composing concertos for 10 years.

    Right now seems like as good an excuse as any to share the words of Alexander “I am the best-looking Founding Father” Hamilton:

    Men give me credit for some genius. All the genius I have lies in this; when I have a subject in hand, I study it profoundly. Day and night it is before me. My mind becomes pervaded with it. Then the effort that I have made is what people are pleased to call the fruit of genius. It is the fruit of labor and thought.

    I don’t know, though…what do you think, everyone? Be kind and friendly! No English drama or acrimony allowed! :D

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    What It Takes to Be Great 3: Follow-Up

    Hey. Remember that last rambling train wreck of a post [you think you can make fun of me better than me? huh? BRING IT!]? There was a comment made on it by Terry of this Yahoo Group that was just so super-cool and lucid, I felt compelled to share it with the world. So here it is [this was put up without permission, so...if there's a problem, someone let me know]:

    I would put it like this.

    Anybody and Everybody can get from point A to point B.

    Say you want to get from Miami to Atlanta. Anybody and Everybody can get from Miami to Atlanta. Maybe some go by plane, some by train, some by automobile. MAYBE some walk. But Anybody and Everybody can make it to Atlanta.

    Problem is most people leave Miami for Atlanta and lose track of where they are going. Next thing they know they are back in Miami. And they will venture out again and stop moving in the direction of Atlanta and WHAM they are back in Miami.

    They will do that over and over and over and come to conclude that only The Great ever make it to Atlanta.

    “Atlanta is some magical place that only excepts the special few.”

    And all they had to do is keep moving in the direction of Atlanta until they got there.

    Problem is most people leave Miami for Atlanta and lose track of where they are going…all they had to do is keep moving in the direction of Atlanta until they got there.

    I did not put it better myself…

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